Children’s Classic Piano 2 PDF

To Our Children’s Children’s Children is the fifth album by The Moody Blues, released in November 1969. Children’s Classic Piano 2 PDF album was the first released on the group’s newly formed Threshold record label, which was named after the band’s previous album from the same year, On the Threshold of a Dream.


Författare: Hans-Günter Heumann.
Der 2. Band mit 18 bekannten klassischen Themen für Klavier. Inkl. Beethovens 7. Symphonie, La Traviata (Verdi), Walzer (Mozart) und viel mehr.

It was inspired by the 1969 moon landing. While the extracted single, „Watching and Waiting,“ did not do well in that market, To Our Children’s Children’s Children was critically well-received and sold well, reaching number 2 in the UK albums chart and number 14 in the US. The album was one of those listened to, on cassette tape, by the crew of Apollo 15 in 1971. In March 2006, the album was remastered into SACD and repackaged into a 2CD Deluxe Edition. In 2008, a remaster for single standard audio CD was issued with the five bonus tracks. Watch To Our Children’s Children’s Children – BFI Player“.

Children’s music or kids‘ music is music composed and performed for children. In European-influenced contexts this means music, usually songs, written specifically for a juvenile audience. Children’s music has historically held both entertainment and educational functions. The growth of the popular music publishing industry, associated with New York’s Tin Pan Alley in the late 19th and early 20th centuries led to the creation of a number of songs aimed at children. These included ‚Ten little fingers and ten little toes‘ by Ira Shuster and Edward G. Recordings for children were intertwined with recorded music for as long as it has existed as a medium.

Throughout the 1930s, 1940s, and 1950s record companies continued to produce albums for children. The role of Disney in children’s cinema from the 1930s meant that it gained a unique place in the production of children’s music. The mid-20th-century arrival of the baby boomers provided a growing market for children’s music as a separate genre. Woody Guthrie, Pete Seeger and Ella Jenkins were among a cadre of politically progressive and socially conscious performers who aimed albums to this group.

Peter, Paul, and Mary, The Limeliters, and Tom Paxton were acclaimed folk artists who wrote albums for children. Joe Raposo and Jeff Moss, has dominated the children’s music landscape to this day – the show has won 11 Grammy Awards. Children’s music gained an even wider audience in the 1970s when musical features such as Schoolhouse Rock! Letter People were featured on network and public television, respectively. These represented an effort to make music that taught specific lessons about Math, History, and English to youngsters through the high-quality, award-winning music.

Under the Sea“ won an Oscar for best song. In the United States, children’s music continues to be a force in the commercial music industry. In the Big Rock Candy Mountains you’re going on a holiday Your birthday comes around once a week and it’s Christmas every day You never have to clean your room or put your toys away There’s a little white horse you can ride of course You can jump so high you can touch the sky In the Big Rock Candy Mountains. The use of children’s music, to educate, as well as entertain, continued to grow, as evidenced in February 2009, when Bobby Susser’s young children’s series surpassed five million CD sales. As more children are using smart phones, tablets, laptops and smart-TVs, kids songs have entered the on-demand streaming content era.

Educational Dealer magazine, April 2009, Industry news section, page 34. Smithsonian Folkways acquires Bobby Susser’s New Hope Records Catalog“. All Ears: how to Choose and Use Recorded Music for Children. The Non-Musician’s Guide to Children’s Music, in series, I. Please obey the copyright laws of your country.

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